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http //www.kristymajors.com/ http //www.myspace.com/kristymajors member Kristy Majors and The Thrill Kills, NEW WORLD IDOLS, PRETTY BOY FLOYD The Thrill Kills member Kristy Majors vocal, guitar Nick Rozz guitar ( BULLETBOYS ) JK Famous bass ( PRETTY BOY FLOYD ) Ben Graves drummer ( MURDERDOLLS ) CDKristy Majors And The Thrill Kills Sex Drugs 'N' Rock N Roll Goodbye Rock-N-Roller For Those About to Sniff Some Glue ･･･ We Salute You The Devil In Me V.A. world / Glam That Stole Chritmas ( 2004年12月14日 ) V.A. world / We Wish You A Hairy Christmas ( 2003年10月7日 ) V.A. world / Hollywood Hairspray vol.2 ( 2003年6月24日 ) V.A. world / Hollywood Hairspray vol.1 ( 2002年8月26日 ) CD Kristy Majors And The Thrill Kills 2014 1. Beginners Luck / 2. Deadbeat / 3. Empty Handed / 4. Broken Lip / 5. Stagnation Street / 6. Pissed It All Away / 7. Over And Over Again ( The Same Thing ) / 8. Make Up / 9. Falling Behind / 10. Teenage Wasteland / 11. Magazine produced by Kristy Majors Kari Kane ( PRETTY BOY FLOYD ) on drums Sex Drugs N Rock N Roll 2006 1. Terrible News / 2. Wasted In America / 3. I m Alright / 4. Sex Drugs N Rock N Roll / 5. Kids On Dope / 6. Live Without You / 7. Zero Superstar / 8. Only The Good Die Young / 9. Down To One / 10. Greed / 11. A-OK produced by Kristy Majors Goodbye Rock-N-Roller August 5th 2003 1. Goodbye Rock-N-Roller / 2. Hey Hey Punks / 3. Bad Attitude / 4. We Can t Go Back / 5. It Doesn t Matter / 6. Where It Ends / 7. 21st Century Digital Boy / 8. Out Of Sight / 9. Alexia / 10. Afterglow producer by Kristy "Krash" Majors For Those About to Sniff Some Glue ･･･ We Salute You April 15th 2003 1. I Just Wanna Have Something To Do / 2. Do You Wanna Dance / 3. Here Today Gone Tomorrow / 4. Go Mental / 5. Now I Wanna Sniff Some Glue / 6. Questioningly / 7. Locket Love / 8. Censorshit / 9. Today Your Love Tomorrow Your World / 10. Why Is It Always This Way / 11. Lets Go / 12. California Sun / 13. Sidewalk Surfin producer by Kristy "Krash" Majors The Devil In Me October 1st 2002 1. Devil In Me / 2. Over The Edge / 3. Somebody Save Me / 4. Kiss Me Deadly / 5. End Of The World / 6. Love Me / Hate Me / 7. Rock City On The Radio / 8. Don t Go Baby / 9. Broken Dreams / 10. Psychotherapy producer by Kristy "Krash" Majors
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CHAPTER XXIV UP CHAPTER XXVI CHAPTER XXV Matthew Insists on Puffed Sleeves Matthew was having a bad ten minutes of it. He had come into the kitchen, in the twilight of a cold, gray December evening, and had sat down in the woodbox corner to take off his heavy boots, unconscious of the fact that Anne and a bevy of her schoolmates were having a practice of "The Fairy Queen" in the sitting room. Presently they came trooping through the hall and out into the kitchen, laughing and chattering gaily. They did not see Matthew, who shrank bashfully back into the shadows beyond the woodbox with a boot in one hand and a bootjack in the other, and he watched them shyly for the aforesaid ten minutes as they put on caps and jackets and talked about the dialogue and the concert. Anne stood among them, bright eyed and animated as they; but Matthew suddenly became conscious that there was something about her different from her mates. And what worried Matthew was that the difference impressed him as being something that should not exist. Anne had a brighter face, and bigger, starrier eyes, and more delicate features than the other; even shy, unobservant Matthew had learned to take note of these things; but the difference that disturbed him did not consist in any of these respects. Then in what did it consist? Matthew was haunted by this question long after the girls had gone, arm in arm, down the long, hard-frozen lane and Anne had betaken herself to her books. He could not refer it to Marilla, who, he felt, would be quite sure to sniff scornfully and remark that the only difference she saw between Anne and the other girls was that they sometimes kept their tongues quiet while Anne never did. This, Matthew felt, would be no great help. He had recourse to his pipe that evening to help him study it out, much to Marilla s disgust. After two hours of smoking and hard reflection Matthew arrived at a solution of his problem. Anne was not dressed like the other girls! The more Matthew thought about the matter the more he was convinced that Anne never had been dressed like the other girls--never since she had come to Green Gables. Marilla kept her clothed in plain, dark dresses, all made after the same unvarying pattern. If Matthew knew there was such a thing as fashion in dress it was as much as he did; but he was quite sure that Anne s sleeves did not look at all like the sleeves the other girls wore. He recalled the cluster of little girls he had seen around her that evening--all gay in waists of red and blue and pink and white--and he wondered why Marilla always kept her so plainly and soberly gowned. Of course, it must be all right. Marilla knew best and Marilla was bringing her up. Probably some wise, inscrutable motive was to be served thereby. But surely it would do no harm to let the child have one pretty dress--something like Diana Barry always wore. Matthew decided that he would give her one; that surely could not be objected to as an unwarranted putting in of his oar. Christmas was only a fortnight off. A nice new dress would be the very thing for a present. Matthew, with a sigh of satisfaction, put away his pipe and went to bed, while Marilla opened all the doors and aired the house. The very next evening Matthew betook himself to Carmody to buy the dress, determined to get the worst over and have done with it. It would be, he felt assured, no trifling ordeal. There were some things Matthew could buy and prove himself no mean bargainer; but he knew he would be at the mercy of shopkeepers when it came to buying a girl s dress. After much cogitation Matthew resolved to go to Samuel Lawson s store instead of William Blair s. To be sure, the Cuthberts always had gone to William Blair s; it was almost as much a matter of conscience with them as to attend the Presbyterian church and vote Conservative. But William Blair s two daughters frequently waited on customers there and Matthew held them in absolute dread. He could contrive to deal with them when he knew exactly what he wanted and could point it out; but in such a matter as this, requiring explanation and consultation, Matthew felt that he must be sure of a man behind the counter. So he would go to Lawson s, where Samuel or his son would wait on him. Alas! Matthew did not know that Samuel, in the recent expansion of his business, had set up a lady clerk also; she was a niece of his wife s and a very dashing young person indeed, with a huge, drooping pompadour, big, rolling brown eyes, and a most extensive and bewildering smile. She was dressed with exceeding smartness and wore several bangle bracelets that glittered and rattled and tinkled with every movement of her hands. Matthew was covered with confusion at finding her there at all; and those bangles completely wrecked his wits at one fell swoop. "What can I do for you this evening, Mr. Cuthbert?" Miss Lucilla Harris inquired, briskly and ingratiatingly, tapping the counter with both hands. "Have you any--any--any--well now, say any garden rakes?" stammered Matthew. Miss Harris looked somewhat surprised, as well she might, to hear a man inquiring for garden rakes in the middle of December. "I believe we have one or two left over," she said, "but they re upstairs in the lumber room. I ll go and see." During her absence Matthew collected his scattered senses for another effort. When Miss Harris returned with the rake and cheerfully inquired "Anything else tonight, Mr. Cuthbert?" Matthew took his courage in both hands and replied "Well now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed." Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. "We only keep hayseed in the spring," she explained loftily. "We ve none on hand just now." "Oh, certainly--certainly--just as you say," stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt. "Well now--if it isn t too much trouble--I might as well--that is--I d like to look at--at--some sugar." "White or brown?" queried Miss Harris patiently. "Oh--well now--brown," said Matthew feebly. "There s a barrel of it over there," said Miss Harris, shaking her bangles at it. "It s the only kind we have." "I ll--I ll take twenty pounds of it," said Matthew, with beads of perspiration standing on his forehead. Matthew had driven halfway home before he was his own man again. It had been a gruesome experience, but it served him right, he thought, for committing the heresy of going to a strange store. When he reached home he hid the rake in the tool house, but the sugar he carried in to Marilla. "Brown sugar!" exclaimed Marilla. "Whatever possessed you to get so much? You know I never use it except for the hired man s porridge or black fruit cake. Jerry s gone and I ve made my cake long ago. It s not good sugar, either--it s coarse and dark--William Blair doesn t usually keep sugar like that." "I--I thought it might come in handy sometime," said Matthew, making good his escape. When Matthew came to think the matter over he decided that a woman was required to cope with the situation. Marilla was out of the question. Matthew felt sure she would throw cold water on his project at once. Remained only Mrs. Lynde; for of no other woman in Avonlea would Matthew have dared to ask advice. To Mrs. Lynde he went accordingly, and that good lady promptly took the matter out of the harassed man s hands. "Pick out a dress for you to give Anne? To be sure I will. I m going to Carmody tomorrow and I ll attend to it. Have you something particular in mind? No? Well, I ll just go by my own judgment then. I believe a nice rich brown would just suit Anne, and William Blair has some new gloria in that s real pretty. Perhaps you d like me to make it up for her, too, seeing that if Marilla was to make it Anne would probably get wind of it before the time and spoil the surprise? Well, I ll do it. No, it isn t a mite of trouble. I like sewing. I ll make it to fit my niece, Jenny Gillis, for she and Anne are as like as two peas as far as figure goes." "Well now, I m much obliged," said Matthew, "and--and--I dunno--but I d like--I think they make the sleeves different nowadays to what they used to be. If it wouldn t be asking too much I--I d like them made in the new way." "Puffs? Of course. You needn t worry a speck more about it, Matthew. I ll make it up in the very latest fashion," said Mrs. Lynde. To herself she added when Matthew had gone "It ll be a real satisfaction to see that poor child wearing something decent for once. The way Marilla dresses her is positively ridiculous, that s what, and I ve ached to tell her so plainly a dozen times. I ve held my tongue though, for I can see Marilla doesn t want advice and she thinks she knows more about bringing children up than I do for all she s an old maid. But that s always the way. Folks that has brought up children know that there s no hard and fast method in the world that ll suit every child. But them as never have think it s all as plain and easy as Rule of Three--just set your three terms down so fashion, and the sum ll work out correct. But flesh and blood don t come under the head of arithmetic and that s where Marilla Cuthbert makes her mistake. I suppose she s trying to cultivate a spirit of humility in Anne by dressing her as she does; but it s more likely to cultivate envy and discontent. I m sure the child must feel the difference between her clothes and the other girls . But to think of Matthew taking notice of it! That man is waking up after being asleep for over sixty years." Marilla knew all the following fortnight that Matthew had something on his mind, but what it was she could not guess, until Christmas Eve, when Mrs. Lynde brought up the new dress. Marilla behaved pretty well on the whole, although it is very likely she distrusted Mrs. Lynde s diplomatic explanation that she had made the dress because Matthew was afraid Anne would find out about it too soon if Marilla made it. "So this is what Matthew has been looking so mysterious over and grinning about to himself for two weeks, is it?" she said a little stiffly but tolerantly. "I knew he was up to some foolishness. Well, I must say I don t think Anne needed any more dresses. I made her three good, warm, serviceable ones this fall, and anything more is sheer extravagance. There s enough material in those sleeves alone to make a waist, I declare there is. You ll just pamper Anne s vanity, Matthew, and she s as vain as a peacock now. Well, I hope she ll be satisfied at last, for I know she s been hankering after those silly sleeves ever since they came in, although she never said a word after the first. The puffs have been getting bigger and more ridiculous right along; they re as big as balloons now. Next year anybody who wears them will have to go through a door sideways." Christmas morning broke on a beautiful white world. It had been a very mild December and people had looked forward to a green Christmas; but just enough snow fell softly in the night to transfigure Avonlea. Anne peeped out from her frosted gable window with delighted eyes. The firs in the Haunted Wood were all feathery and wonderful; the birches and wild cherry trees were outlined in pearl; the plowed fields were stretches of snowy dimples; and there was a crisp tang in the air that was glorious. Anne ran downstairs singing until her voice reechoed through Green Gables. "Merry Christmas, Marilla! Merry Christmas, Matthew! Isn t it a lovely Christmas? I m so glad it s white. Any other kind of Christmas doesn t seem real, does it? I don t like green Christmases. They re not green-- they re just nasty faded browns and grays. What makes people call them green? Why--why--Matthew, is that for me? Oh, Matthew!" Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air. Anne took the dress and looked at it in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon. "That s a Christmas present for you, Anne," said Matthew shyly. "Why--why--Anne, don t you like it? Well now--well now." For Anne s eyes had suddenly filled with tears. "Like it! Oh, Matthew!" Anne laid the dress over a chair and clasped her hands. "Matthew, it s perfectly exquisite. Oh, I can never thank you enough. Look at those sleeves! Oh, it seems to me this must be a happy dream." "Well, well, let us have breakfast," interrupted Marilla. "I must say, Anne, I don t think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There s a hair ribbon Mrs. Lynde left for you. It s brown, to match the dress. Come now, sit in." "I don t see how I m going to eat breakfast," said Anne rapturously. "Breakfast seems so commonplace at such an exciting moment. I d rather feast my eyes on that dress. I m so glad that puffed sleeves are still fashionable. It did seem to me that I d never get over it if they went out before I had a dress with them. I d never have felt quite satisfied, you see. It was lovely of Mrs. Lynde to give me the ribbon too. I feel that I ought to be a very good girl indeed. It s at times like this I m sorry I m not a model little girl; and I always resolve that I will be in future. But somehow it s hard to carry out your resolutions when irresistible temptations come. Still, I really will make an extra effort after this." When the commonplace breakfast was over Diana appeared, crossing the white log bridge in the hollow, a gay little figure in her crimson ulster. Anne flew down the slope to meet her. "Merry Christmas, Diana! And oh, it s a wonderful Christmas. I ve something splendid to show you. Matthew has given me the loveliest dress, with SUCH sleeves. I couldn t even imagine any nicer." "I ve got something more for you," said Diana breathlessly. "Here-- this box. Aunt Josephine sent us out a big box with ever so many things in it--and this is for you. I d have brought it over last night, but it didn t come until after dark, and I never feel very comfortable coming through the Haunted Wood in the dark now." Anne opened the box and peeped in. First a card with "For the Anne-girl and Merry Christmas," written on it; and then, a pair of the daintiest little kid slippers, with beaded toes and satin bows and glistening buckles. "Oh," said Anne, "Diana, this is too much. I must be dreaming." "I call it providential," said Diana. "You won t have to borrow Ruby s slippers now, and that s a blessing, for they re two sizes too big for you, and it would be awful to hear a fairy shuffling. Josie Pye would be delighted. Mind you, Rob Wright went home with Gertie Pye from the practice night before last. Did you ever hear anything equal to that?" All the Avonlea scholars were in a fever of excitement that day, for the hall had to be decorated and a last grand rehearsal held. The concert came off in the evening and was a pronounced success. The little hall was crowded; all the performers did excellently well, but Anne was the bright particular star of the occasion, as even envy, in the shape of Josie Pye, dared not deny. "Oh, hasn t it been a brilliant evening?" sighed Anne, when it was all over and she and Diana were walking home together under a dark, starry sky. "Everything went off very well," said Diana practically. "I guess we must have made as much as ten dollars. Mind you, Mr. Allan is going to send an account of it to the Charlottetown papers." "Oh, Diana, will we really see our names in print? It makes me thrill to think of it. Your solo was perfectly elegant, Diana. I felt prouder than you did when it was encored. I just said to myself, `It is my dear bosom friend who is so honored. " "Well, your recitations just brought down the house, Anne. That sad one was simply splendid." "Oh, I was so nervous, Diana. When Mr. Allan called out my name I really cannot tell how I ever got up on that platform. I felt as if a million eyes were looking at me and through me, and for one dreadful moment I was sure I couldn t begin at all. Then I thought of my lovely puffed sleeves and took courage. I knew that I must live up to those sleeves, Diana. So I started in, and my voice seemed to be coming from ever so far away. I just felt like a parrot. It s providential that I practiced those recitations so often up in the garret, or I d never have been able to get through. Did I groan all right?" "Yes, indeed, you groaned lovely," assured Diana. "I saw old Mrs. Sloane wiping away tears when I sat down. It was splendid to think I had touched somebody s heart. It s so romantic to take part in a concert, isn t it? Oh, it s been a very memorable occasion indeed." "Wasn t the boys dialogue fine?" said Diana. "Gilbert Blythe was just splendid. Anne, I do think it s awful mean the way you treat Gil. Wait till I tell you. When you ran off the platform after the fairy dialogue one of your roses fell out of your hair. I saw Gil pick it up and put it in his breast pocket. There now. You re so romantic that I m sure you ought to be pleased at that." "It s nothing to me what that person does," said Anne loftily. "I simply never waste a thought on him, Diana." That night Marilla and Matthew, who had been out to a concert for the first time in twenty years, sat for a while by the kitchen fire after Anne had gone to bed. "Well now, I guess our Anne did as well as any of them," said Matthew proudly. "Yes, she did," admitted Marilla. "She s a bright child, Matthew. And she looked real nice too. I ve been kind of opposed to this concert scheme, but I suppose there s no real harm in it after all. Anyhow, I was proud of Anne tonight, although I m not going to tell her so." "Well now, I was proud of her and I did tell her so fore she went upstairs," said Matthew. "We must see what we can do for her some of these days, Marilla. I guess she ll need something more than Avonlea school by and by." "There s time enough to think of that," said Marilla. "She s only thirteen in March. Though tonight it struck me she was growing quite a big girl. Mrs. Lynde made that dress a mite too long, and it makes Anne look so tall. She s quick to learn and I guess the best thing we can do for her will be to send her to Queen s after a spell. But nothing need be said about that for a year or two yet." "Well now, it ll do no harm to be thinking it over off and on," said Matthew. "Things like that are all the better for lots of thinking over." CHAPTER XXIV UP CHAPTER XXVI 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 20 30 (Tue)
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城砦の防衛拠点《BASTION S KEEP STRONGHOLD》 Azmodan An empty victory over a useless tool. 役に立たずの駒を倒しても、それは仮初の勝利だ。 Azmodan You have only delayed your inevitable destruction. Your walls have grown no stronger. Our assault continues unabated. 逃れられぬ滅びが僅かに遅れただけに過ぎん。お前らの城壁は長くは持たんだろう。我らは衰えるを知らず攻撃し続けるのみ。 Azmodan The stone will still be mine. 石が我が物となることに変わりは無い。 【The Armory（武器庫）】 Lieutenant Lavail Terrifying noises were coming from the armory, so Tyrael went to investigate. He said if you were to return, I should send you there. 武器庫から気味悪い音が聞こえてきたんだ、ティラエル殿が確認に行ったところです。あなたが戻ってきたら武器庫へ向かわせる様にと言われました。 NEW !［ ］Go to the Armory (武器庫《THE ARMORY》に向かう)} 【選択肢】The Final Goal (最後の結末) +... Haedrig Eamon Time has flown by since I joined you in New Tristram. Look at us now. Who would have ever guessed we d be here? 新トリストラムであんたと出会ってから、時間は瞬く間に過ぎていくな。俺たちが此処にいるなんて誰が予想できたと思う？ Haedrig Eamon And now every passing hour brings us closer to our goal. But do we have a chance? そして時間が過ぎるに連れて最後の結末に近づいてるわけだ。だが俺たちに望みはあると思うか？ Barbarian We will live as victors or die trying. 死なぬ限り、勝利を目指して生きるのみだ。 DemonHunter There s always a chance, but only if we take it. 望みは常にある、掴み取りに行く必要はあるが。 Monk As long as we live, we have a chance. わたし達が生きている限り、望みはある。 WitchDoctor The spirits have led us to this place and time. We cannot fail. 精霊の導きにより我々はこの時この場所に居るのだ。失敗はできない。 Wizard Of course. We cannot lose--the world depends on us. 勿論です。私達は負けるわけには行きません――世界の行く末は我々に委ねられているのです。 Gorell the Quartermaster Cooking and serving gruel ain t glorious, but these men can t fight and die on empty stomachs. 配給される粥(かゆ)はお世辞にも良いとは言えねぇ(粥の調理と配給は光栄な仕事とは言えねぇ)、だが空腹じゃぁ男達は戦えず死ぬだけよ。 【選択肢】Hard Questions (答えづらい質問)：Barbarian +... Covetous Shen Oh dear. That s a very resolute expression you re wearing. You may as well say what you re thinking. おぉ、よく来たの。何か思う事があるようじゃな、顔に出ておるぞ。何を考えているのか言うてみい。 Barbarian The god Bul-Kathos walked among my people, defending the sacred mountain from our enemies. If you are a god, you should follow his example. 偉大なるバル・カソスは神聖なる山を敵から守り、我ら民を導いてきた。オマエ(アンタ)が偉大な者だと言うのなら、彼(か)の者の如くあるべきだ。 Covetous Shen Who says I am not? I hunt for a jewel that would devour the world if it could. 誰がワシが偉くないと言ったんじゃ？ワシは出来る事なら世界中の宝石を全部集め尽くしたいんじゃ。 Barbarian So would you. I have seen you attack a roast pig like a wounded berserker. オマエ(アンタ)ならそうするだろうな。豚の丸焼きに鬼気として夢中になってたオマエさん(アンタ)を思い出したよ。 Covetous Shen I thought someone was going to ask me to share it! あれは誰かがワシに豚を皆に分けるように言ってくると思ったからじゃ！ 【選択肢】Hard Questionsn (答えづらい質問)：DemonHunter +... Covetous Shen Oh dear. That s a very resolute expression you re wearing. You may as well say what you re thinking. おぉ、よく来たの。何か思う事があるようじゃな、顔に出ておるぞ。何を考えているのか言うてみい。 DemonHunter I have witnessed too many silent, smoking villages, and seen too many bodies in blackened pits. If there are gods, I don t believe they would be as happy as you. これまでに数え切れないほどの死を目にしてきた、焼け落ちた村の煤けた穴には山ほどの死体が転がっている。神が見捨てなかったとしても、彼等はあんたのように幸せにはなれないだろう。 Covetous Shen Time changes everyone, my young friend. In years past, I hunted the jewel with grim determination, always arriving in its destructive wake. 時が全てを変えてくれるんじゃ、若人よ。ここ数年、決死の覚悟で、死に物狂い宝石を集めてきたんじゃぞ。 DemonHunter You do not behave like a man burdened by tragedy. あんたは悲劇の主人公の如く振舞うべきではない。 Covetous Shen Ah, but you see, tragedy is very heavy, and I was once a much larger man with better posture. う～む、じゃが悲劇ってのは重みがあるじゃないか、ワシだってかつては良い男だったんじゃぞ。 DemonHunter Still you jest. まだ言うか。 Covetous Shen Should I fall to the ground and grieve instead? Grieve for all I ve lost? I would never get up again, and who would hunt for the jewel then? しゃがみこんで悲しめに浸れと？失ったもの全ての事を悲しんでいろと？ワシが動けなくなったら、誰が宝石を集めるんじゃ？ 【選択肢】Hard Questionsn (答えづらい質問)：Monk +... Covetous Shen Oh dear. That s a very resolute expression you re wearing. You may as well say what you re thinking. おぉ、よく来たの。何か思う事があるようじゃな、顔に出ておるぞ。何を考えているのか言うてみい。 Monk You wish for people to believe that you are a god, but I do not believe it to be true. あなたは人々に自分を神であると信じさせたいようだが、私はそうはとても思えない。 Covetous Shen Hm, people believe a great many things, don t they? ふぅむ、人間ってのは偉大なものを崇めたいもんじゃろ？ Monk So you do not deny it? つまり、止める気はないと？ Covetous Shen You become so serious about such things. You will grow old long before your time. Wouldn t you be happier to live like me? お前さんは物事を深く考えすぎじゃ。あんたには歳老いるには十分な時間がある。ワシのように楽しく生きようとは思わんのか？ 【選択肢】Hard Questionsn (答えづらい質問)：WitchDoctor 管理人メモ：翻訳がイマイチ。誰か教えてくださいませ。ρ(｡ ｡､ ) +... Covetous Shen Oh dear. That s a very resolute expression you re wearing. You may as well say what you re thinking. おぉ、よく来たの。何か思う事があるようじゃな、顔に出ておるぞ。何を考えているのか言うてみい。 WitchDoctor The spirits say you are a fraud and a god, husband and thief of wives, a chieftain and a vagabond. You cannot be all of these things. 精霊達は語る、そなたは根っからの詐欺師であり、複数の女性を抱える夫であり、無宿人達の頭(かしら)のようなものだ。これら全てを為せるものではないだろう。 精霊達はそなたのことをこう言っている。詐欺師でありながら神様、良き夫であり妻泥棒、指導者にして放浪者……。それら全てになれるとは思えないのだが。（こんなニュアンスかな？ ←多分合ってます。） 管理人メモ：特に此処が自信なし。 Covetous Shen And why not? People can be anything they want, I say. The only limitation is time, and I have been alive for many years. それがどうしたんじゃ？ワシが言いたいのは人は望めば何だって出来るということじゃ。ただ時間には限りがあるからの、だからワシは一生懸命に生きて来たのよ。 WitchDoctor For more years, perhaps, than a normal man would live. 必至に生きる、つまり一般の人よりも充実しているということか。 Covetous Shen Oh yes. And I think everyone would agree that I am far from normal. おぉ、その通りじゃ。みんな分かってくれていると思うぞ、ワシが普通とは縁遠い人物だとな。 【選択肢】Hard Questionsn (答えづらい質問)：Wizard +... Covetous Shen Oh dear. That s a very resolute expression you re wearing. You may as well say what you re thinking. おぉ、よく来たの。何か思う事があるようじゃな、顔に出ておるぞ。何を考えているのか言うてみい。 Wizard In the Yshari Sanctum, I learned reason, and stopped believing in gods. There must be thousands of old jewelers throughout the world. What makes you different? イシャリの聖域、そこで私は悟り、神を信じなくなったのです。世界中には幾千もの宝石職人がいるでしょう。あなたはどう違うのですか？ Covetous Shen I have never said I was special, though I most certainly am. I will tell you this it is wise to believe in gods. ワシは自分が特別だなんて言った事はないぞい、しらふのワシならな。こう言いたかったんじゃないかの『神を信じていたほうが賢明だ』とな。 Wizard Why? 何故です？ Covetous Shen Because, my young friend, it teaches you to expect misfortune from unexpected directions and disasters that are beyond your control. そりゃな若者よ、自分の手に負えない、自分が考えもしない予想外の不幸を予見してくれるからじゃよ。 武器庫《THE ARMORY》 01.jpg LeahLeah I am losing control! もう制御できない！ 02.jpg 03.jpg NEW !［ ］Kill the Shadow Vermin (闇の獣を倒す)} ［掃討完了］ NEW !［ ］Kill the Shadow Vermin (闇の獣を倒す)} 話しかけると次のクエスト 攻城兵器（MACHINES OF WAR） 開始
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【Tags Luka PolyphonicBranch T tR tT Miku】 Original Music title 太陽と月のロンド English music title The Ronde of The Sun and The Moon Romaji music title Taiyou to Tsuki no Rondo Music Lyrics written, Voice edited by PolyphonicBranch Music arranged by PolyphonicBranch Singers 初音ミク (Hatsune Miku), 巡音ルカ (Megurine Luka) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： [Miku Luka] The fate of the two of us will twist and twist The vermillion flame and the blue flame will be mixed together [Miku] We gaze each other. That’s because we’re attracted to each other I wanna leave an indelible scar on your back I was crying alone I wanna gain even if my hands get dirty The fate of the two of us will fall and be fallen I love your side face so much that I wanna kill you [Luka] My impulse burns and burns Cover it with your cold lips Badly hurt my heart more So as to be consumed with hatred Then, surely I’ll remember for a lifetime Even if we’re born again, we can meet again Once we taste the corruption, we cannot go back As if we held blades to each other s throat [Miku](I want you to hold me from behind) [Luka]Can I hold you from behind? [Miku](I want you to feel my weakness) [Luka]I wanna feel your weakness [Miku] I can die, I can die for you Please take my life and everything [Luka] The flame of mine will go out, go out I even love the gun pointing at me [Miku] Ah, god please, I don’ t need any other things Just give me more warmth, I’m almost freezing Hold me harder so as to be pierced We’ll burn and gather the vermillion flame and the blue flame together [Luka] If i can make you feel delighted ...I ll even shoulder sins [Miku] The fate of the two of us will twist and twist As bloomed flowers are to fall and die [Luka] I don’t need the past that burnt and disappeared [Miku] Strangle me harder so I cannot breath Then, surely I cannot forget Strangle me harder so I cannot breath [Miku Luka] Just like the sun and the moon that are attarcted each other Even if we’re born again, we can meet again Romaji lyrics (transliterated by blacksaingrain)： [Miku Luka] Mawaru mawaru futari no unmei wa Aka to ao no honoo mazariau no [Miku] Mitsumeau noha hikareatte irukaradeshou Anatano senaka ni kesshite kie nai kizuato wo nokoshita i Hitori naiteita no Kono te wo yogoshite mo teniiretai Ochiru ochiru futari no unmei wa Koroshitai hodo itoshii anata no yokogao [Luka] Moeru moeru watashi no shoudou wo Anatano tsumetai kuchibiru de fusaide Watashi no kokoro motto kizutsu kete tsuyoku Nikushimi ga motto umareru youni Sousureba kitto isshou wasurenai Umare kawatte mo meguriaeru no Daraku no aji wo shitte shimaeba mou modore nai Marude kawashita yaiba nodo ni tsuki tsuke au youni [Miku] Ushiro kara daite hoshii [Luka] Ushiro kara dai temoii? [Miku] Watashi no yowasa kanji tehoshii [Luka] Anatano yowasa wo kanji taino [Miku] Shine ru shine ru anatanotameni Watashi no inochi morattekudasai subete Kie ru kie ru watashi no honoo ha Tsuki tsukerareta juu desura itoshii [Miku] Kamisama o negai yo hokani ha ira nai Atatamo riwomotto kogoe souyo Daki shimetemotto tsuki sasa ruyouni Aka to ao no honoo tsumugi atte iku [Luka] Anataga yorokobu nara ... tsumi sae seou wa [Miku] Mawaru mawaru futari no unmei ha Sai ta hana ha chiri iku sadame dakara [Luka] Moe te kie ta kako nante ira nai Tadakokode ima kanji teitaino [Miku] Kitsuku shime teyomotto iki ga dekina ihodo Sousurebakitto wasure rarenai [Miku Luka] Taiyou to gatsu ga hika reauyouni Umare kawa ttemo meguri ae runo
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製作者 AutumnWater DL先↓ http //www.mediafire.com/file/thomg04h7z65vm4/I+wanna+fa+no+word.zip
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GRAPEFRUITS Fell In Love With A Girl The Wildfire (If It Was True) ツマサキ 陽炎 王様はロバのいうとおり Alone + Easy Target MR.アメリカ それで自由になったのかい ます。 05410-（ん） 恋の煙 100ワットの恋人 12月の雨の日 田舎道 Bus stop Buddy Holly Hair of the Dog woodstock Golden Age Of Rock Roll Wonderwall Obladi Oblada 20th century boy white room Proud Mary piece of my heart Up on Cripple Creek GRAPEFRUITS You don t believe it You don t believe it You don t believe it 空でただ見のミケランジェロ You don t deny it You don t deny it You don t deny it TV, poparts, papers, writer, D.J. L.A. Elvis ☆ I just wanna say, yeah 好きなのは GRAPEFRUITS I just wanna say, yeah 好きなのは GREAT U What s keeping you？ You gotta freebee You gotta freebee 行こうか堪え性無き freeworld You don t believe it You don t believe it You don t believe it Colors, letters, parking meter, Rosalita, charcoal filter, Giberto s style ☆ repeat 好きなのは GREAT U What s keeping you？ GRAPEFRUITS GRAPEFRUITS GRAPEFRUITS GRAPEFRUITS ☆ repeat（×2） Fell In Love With A Girl Fell in love with a girl fell in love once and almost completely she s in love with the world but sometimes these feelings can be so misleading she turns and says "are you alright?" I said "I must be fine cause my heart s still beating" She says "come and kiss me by the riverside, bobby says it s fine he don t consider it cheating" Red hair with a curl mellow roll for the flavor and the eyes for peeping can t keep away from the girl these two sides of my brain need to have a meeting can t think of anything to do my left brain knows that all love is fleeting she s just looking for something new and I said it once before but it bears repeating The Wildfire (If It Was True) Well there s something in the way She said I hate you cause you breathe It s not the first time that I heard it But this one is out of reach I got my mind set on destruction And if it will strike me hard Will you remember me? Oh it s in the way you set your life On your alarm and hit the snoozer You waste your life expectancy If You throw away your hopes and dreams The night will never end, it ll stay forever Well the dark will eat you up inside So I smile and shed a tear And said when will you go away She said who cares you`re not Entitled to ask those things today Don t let the salt get in your eye Don t let the ghost get in your heart There were sweet memories In the corner of my mind They were telling me to throw up All the things that I want to hide that We re having fun in the daytime We ll chase the stars in the nighttime And we ll take the sun in the morning We just don t care if they see us fall If it was true Well today I bought the paper by myself And cried cause everyone was happy And on the streets well they where dancing To some kind of Puerto Rican music That we would hate But we would just move along to So if you re driving in your car And hear this song on radio1 Well I know that it sound silly Cause you don`t have a car But I just read it in a book That these things happen in the fictive world That s when I smiled and shed a tear And said when will you go away She said who cares you re not Entitled to ask those things today Don t let the salt get in your eye Don t let the ghost get in your heart There were sweet memories In the corner of my mind They were telling me to throw up All the things that I want to hide that And we re having fun in the daytime And we ll chase the stars in the nighttime And we ll take the sun in the morning We just don t care if they see us fall Just don t care Just don t care at all If it was true Well there is something in the air That makes it difficult to live The way we lived back in the days When we had all the time to kill It s just the wildfire burning There s no way to put it out Just a wildfire spreading Through my days and through my nights Don t ask no questions Don t ever tell no lie I m so tired of explaining Every minor detail of my life And we re having fun in the daytime And we ll chase the stars in the nighttime And we ll catch the sun in the morning We just don t care if they see us fall We re having fun in the daytime We ll chase the stars in the nighttime And we ll catch the sun in the morning We just don t care if they see us fall Just don t care Just don t care at all If it was true ツマサキ ヒール高い靴を履いて、あなたの隣しゃなりしゃなり ペディキュアの蝶々見えるかしら 私が見えるもの あなたが見えないもの 私が触りたいもの あなたの喉ぼとけ 今の顔もっとよく見せて、 写真に撮るの間に合わないかな さっきから鳴り止まない気持ち あなたの頬まで背伸びしたい。 今の顔もっとよく見せて、 写真に撮るの間に合わないかな さっきから鳴り止まない気持ち がんばってね わたしのツマサキ、 ツマサキ。 うそつき、当たらない天気予報。 横殴りの雨 泣き顔の蝶々 進路変更早すぎる帰り道。 私が感じること あなたは感じないこと 私が期待してること 【 次はいつ会える？】 さっきの顔もっとよく見せて 今度こそは見逃さないよ 雨粒の音、焦る気持ち あなたの前髪、しずくポツリ それじゃあね、タイムリミット あなたはちょっと腰かがめて おでこにキス運んでくれた それでも私背伸びしているよ。 ヒール高い靴を履いて、 あなたの隣しゃなりしゃなり。 ペディキュアの蝶々見えるかしら？ がんばってね わたしのツマサキ、 ツマサキ。 陽炎 あの街並 思い出したときに何故だか浮かんだ 英雄気取った路地裏の僕が ぼんやり見えたよ またそう こうしているうちに 次から次へと浮かんだ 残像が胸を締め付ける となりのノッポに 借りたバットと 駄菓子屋にちょっとの お小遣い持って行こう 散々悩んで 時間がたったら 雲行きが変わって ポツリと振ってくる 肩落として帰った 窓からそっと手を出して 止んでた雨に気付いて 慌てて家を飛び出して そのうち陽が照り付けて 遠くで陽炎が揺れてる 陽炎が揺れてる きっと今では 失くなったものも沢山あるだろう きっとそれでも あの人は変わらず過ごしているだろう またそう こうしているうち 次から次へと浮かんだ 出来事が胸を締め付ける 窓からそっと手を出して 止んでた雨に気付いて 慌てて家を飛び出して そのうち陽が照り付けて 遠くで陽炎が揺れてる 陽炎が揺れてる 王様はロバのいうとおり サルトルもスピノザも僕のいうとおり タナトスもガリレオも僕のいうとおり アメリカもひまわりも僕のいうとおり 神様もエルビスも僕のいうとおり 退屈も僕のいうとおり 憂鬱でさえも僕のいうとおり 悲しみも僕のいうとおり 悪魔でさえも僕のいうとおり 僕のいうとおり デカルトもヒポクラテスも僕のいうとおり サイババもサイコロも僕のいうとおり 星屑もヒナゲシも僕のいうとおり 親指も白雪も僕のいうとおり Alone + Easy Target they knew all along they re not dumb, they were so wrong she s not always fun hate it now, call when I m done pieces fell in place puzzles suck, laughing in my face turn and swing the pace I ll give this, keep the good waist head is on I want out I m alone and I m an easy target metronome I want out I m alone and I m an easy target crazy t.v. dreams might be true not what it seems food and cavitys, chewing words tear at the seams he don t feel so good, don t feel bad not that I should did you ever listen? get out MR.アメリカ MR.アメリカ 何食べる? MR.アメリカ いつ眠る? MR.アメリカ 誰を消す? MR.アメリカ 星を売る 掻き鳴らせ、フェンダー 今すぐ 欲望の先端 N.Y. はじまりのベルが鳴り響く はきだめみたいなジーザス MR.アメリカ ガム食べる MR.アメリカ よくしゃべる MR.アメリカ 泣き叫ぶ MR.アメリカ 吐き捨てる ブチ壊せ、フェンダー 今すぐ 絶望の刹那 ムーンウォーク 終わらないベルが鳴り響く 夢を見る君はヴィーナス MR.アメリカ 何食べる? MR.アメリカ いつ眠る? MR.アメリカ 誰を消す? MR.アメリカ 星を売る MR.アメリカ ガム食べる MR.アメリカ よくしゃべる MR.アメリカ 泣き叫ぶ MR.アメリカ 吐き捨てる MR.アメリカ 夢を見る MR.アメリカ 誰を消す? MR.アメリカ 手をつなぐ MR.アメリカ 掻き鳴らす それで自由になったのかい いくらブタ箱の臭いまずいメシが うまくなったところで それで自由になったのかい それで自由になれたのかよ そりゃよかったね 給料が上がったのかい 組合のおかげだね 上がった給料で一体何を買う テレビでいつも言ってる車を買うのかい それで自由になったのかい それで自由になれたのかよ あんたの言ってる自由なんて ブタ箱の中の自由さ 俺たちが欲しいのは ブタ箱の中での より良い生活なんかじゃないのさ 新しい世界さ 新しい世界さ しみだらけの汚ねえカペを きれいに塗りかえて モナリザの微笑みを飾ってみたところで それで自由になったのかい それで自由になれたのかよ ジュータンでもしくかい ソファも入れるかい 冷たい鉄格子にカーテンでもかけりゃ こぎれいになったネ ブタ箱じゃないみたい それで自由になったのかい それで自由になれたのかよ 今にあんたはきっと言い出すだろう 住めば都さ ブタ箱も悪かない ジッとだまってりゃ そのうち出してくれるさ それで自由になったのかい それで自由になれたのかよ あんたの言ってる自由なんて ブタ箱の中の自由さ 俺たちが欲しいのは ブタ箱の中での より良い生活なんかじゃないのさ 新しいおまえさ 新しいおまえさ ます。 なんやかんやと 溢れてるけど ここにあるもの ここにないもの それで全てです 今言えること それはなんだろう 生きてることと 死んでくことと それくらいです 他にも何かないかと思いまして 歌を歌ってるわけです あなた一人と ほか全人類 どちらか一つ救うとしたら どっちだろかな？ 迷わずYOU!!! Monday泣いて Tuesday吐いて Wednesdayやってらんねえってなっても Saturday Sunday笑っていいんです I hope your coming with me today It s a shame it s shame if you re clogging your mind Now don t you ever say it s like the end It s OK it s OK not even started yet I hope you remember this word I said Then everyday, everyday will be an holiday OPQRSTUVW double you and me let s slide along side Both you and me and let s slide along side 05410-（ん） Wake me up wake me up wake me up when you come back I ll be here I ll be waiting here for you I can be your best friend I can be your least friend I can be your boy friend but I don t wanna be your ex-friend Don t you know this guy who sang a song about the highest common factor and so It s kind of how this is I ll tell you what it is about all your questions you have asked Wake me up wake me up wake me up when you come back I ll be here I ll be waiting here for you If the size of the sky makes you frighten then come back And then cry so that I might could hug you これで5度目の別れ話です でも今回はどこか違うんです いつもの『忍法・記憶喪失』もなぜか今回は効かないんです 「もういやだ」って思っていたんならそれでも僕はいいけど 「さよなら」って言ったのは君なのに なんで泣いたの? Wake me up wake me up wake me up when you come back If that answer is ‘ no , what should I do? Should I cry? Should I die? Or go crazy and then fly Better yet should I kiss myself ドンマイ Wake me up wake me up wake me up when you come back Pick me up pick me up pick me up when you come back Wake me up wake me up wake me up when you come back I ll be here I ll be waiting here for you Pick me up pick me up pick me up when you come back Until then I will save this song for you Now come back now come back now come back I ll take it back I ll be here I ll be here I ll waiting here for you 恋の煙 約束もしてないのに 決まってた手と手 きっと今から落ちてしまう 熱くなったチョコレート ひどく甘い匂い わたしはすでに落ちている ゆるりゆるり融けながら 地下鉄は 生温い風 唇たたく 髪の毛の音 寄り添いたいな 鼻歌口ずさむその肩に 二人ぼっちに慣れようか 朝昼夜 その先でもいいから 二人言でしゃべろうか 振り返る訳 触れずにはいられない 二人よがりになりたいな 当たりくじだけのくじ引きがしたい 二人占めしていたいから 夢にまで見た夢に手が届きそう 快速の終着は 知らない街と人 きっと今から落ちてしまう 運命に気づいてる 夕暮れは 二人の影を 熱く赤く 染めてくわ 憧れてるの どこにでも行けそうなその足のサイズ 二人...二人ぼっちに慣れようか 逆算はできなくてもいいから 二人ぼっちは 好きですか？ リズムが合う それだけで恋しいんだ 二人よがりになりたいな 当たりくじだけのくじ引きがしたい 二人占めしていたいから 夢にまで見た夢に手が届きそう 100ワットの恋人 春のウィンドウに映してみたけど 流石にきまった一張羅のスーツ わざと五分も待ち合わせ遅れてった それなのに何故きみは 二十五分もぼくを待たせたの ふたりしみじみと話したかったの きみの早口 マシンガンのようさ ショーケンがどんな素敵かを話しては 頬そめてウットリ ぼくの顔見て我にかえったの 別れる間ぎわに手渡されたセーター 編んでる内に春になったの そんなふたりが肩寄せて生きてゆく you are my sunshine でもないが きみは明るい100ワット電球さ 12月の雨の日 水の匂いが眩しい通りに 雨に憑れた人が行き交う 雨あがり の街に 風がふいに立る 流れる人並を ぼくはみている 雨に病んだ飢いたこころと 凍てついた空を街翳が縁どる 雨 あがりの街に 風がふいに立る 流れる人並を ぼくはみている 田舎道 マーマレード色の おてんと様 息をきらして笑い声 麦わら帽子をぶん投げて 駆け出したい 田舎道 可愛いお前は お天気屋 光りの中を 泳いで来て しかめっ面して笑い出す 駆け出したい 田舎道 ひまわりぼうぼう 燃えている わらぶき屋根の庭先で おかみさんニコニコ御挨拶 駆け出したい 田舎道 太陽ザアザアふりそそいで 菜の花畑に寝転んで お前の耳たぶ透き通って 駆け出したい 田舎道 Bus stop Bus stop, wet day, she s there, I say, "Please share my umbrella" Bus stop, bus goes, she stays, love grows under my umbrella All that summer we enjoyed it, THE wind and rain and shine. That umbrella we employed it. By August, she was mine Every morning I would see her WAITING at the stop Sometimes she d shop and she would show me what she d bought All the people stared as if we were both quite insane Someday my name and hers are GOING to be the same That s the way the whole thing started. Silly, but it s true Thinkin of a sweet romance beginnin in a queue Came the sun the ice was meltin no more shelterin now Nice to think that that umbrella led me to a vow (INSTRUMENTAL Break) Every morning I would see her waitin at the stop Sometimes she d shop and she would show me what she d bought All the people stared as if we were both quite insane Someday my name and hers are going to be the same Bus stop, wet day, she s there, I say, "Please share my umbrella" Bus stop, bus goes, she stays, love grows under my umbrella All that summer we enjoyed it, THE wind and rain and shine That umbrella we employed it. By August, she was mine. Buddy Holly What s with these homies dissin my girl? Why do they gotta front? What did we ever do to these guys That made them so violent? Woo-hoo, but you know I m yours. Woo-hoo, and I know you re mine. Woo-hoo, and that s for all of time. [chorus] Woo-ee-oo, I look just like Buddy Holly. Oh-Oh, and you re Mary Tyler Moore. I don t care what they say about us anyway. I don t care bout that. Don t you ever fear, I m always near. I know that you need help. Your tongue is twisted, your eyes are slit. You need a guardian. Woo-hoo, and you know I m yours. Woo-hoo, and I know you re mine. Woo-hoo, and that s for all of time. [chorus] I don t care bout that. Bang! Bang! Knock on the door, another big bang, get down on the floor. Oh No! What do we do? Don t look now but I lost my shoe. I can t run and I can t kick. What s a matter babe, are you feelin sick? What s a matter, what s a matter, what s a matter you? What s a matter babe, are you feelin blue? Oh-oh-oh! And that s for all of time. (x2) [chorus] I don t care bout that. (x3) Hair of the Dog Heart breaker, soul shaker Ive been told about you Steamroller, midnight stroller What theyve been saying must be true Bridge Red hot mama Velvet charmer Times come to pay your dues Chorus Now youre messin with a A son of a bitch Now youre messin with a son of a bitch Now youre messin with a A son of a bitch Now youre messin with a son of a bitch Talkin jivey, poison ivy You aint gonna cling to me Man taker, born faker I aint so blind I cant see Bridge Chorus Pipes solo Chorus woodstock Well, I came upon a child of God He was walking along the road And I asked him, Tell where are you going? This he told me Said, I m going down to Yasgur s Farm, Gonna join in a rock and roll band. Got to get back to the land and set my soul free. We are stardust, we are golden, We are billion year old carbon, And we got to get ourselves back to the garden. Well, then can I walk beside you? I have come to lose the smog, And I feel myself a cog in somethin turning. And maybe it s the time of year, But then maybe it s the time of man. And I don t know who I am, But life is for learning. We are stardust, we are golden, We are billion year old carbon, And we got to get ourselves back to the garden. We are stardust, we are golden, We are billion year old carbon, And we got to get ourselves back to the garden. By the time we got to Woodstock, We were half a million strong And everywhere was a song and a celebration. And I dreamed I saw the bomber jet planes Riding shotgun in the sky, Turning into butterflies Above our nation. We are stardust, we are golden, We are caught in the devils bargain, And we got to get ourselves back to the garden. Golden Age Of Rock Roll Ladies and gentlemen, The golden age of rock and roll.... Everybody hazy, shell-shocked and crazy. Screaming for the face at the window. Jeans for the genies, dresses for the dreamies, Fighting for a place in the front row. Ohhh, ohhh, ohhh (its good for your body, its good for your soul) Ohhh, ohhh, lets go! (its the golden age of rock and roll). Well you getta little buzz, send for the fuzz, Guitars getting higher and higher. The dude in the paint thinks hes gonna faint, Stoke more coke on the fire. Ohhh, ohhh, ohhh (you gotta stay young, you can never grow old) Ohhh, ohhh, whoooa (its the golden age of rock and roll). The golden age of rock and roll will never die, As long as children feel the need to laugh and cry. Dont wanna smash - want a smash sensation, Dont wanna wreck; just recreation, Dont wanna fight - but if you turn us down Were gonna turn you around gonna mess with the sound. The shows gotta move, everybody groove There aint no trouble on the streets now. So if the going gets rough, Dont you blame us You ninety-six decible freaks Ohhh, ohhh, ohhh (its good for body, its good for your soul) Ohhh, ohhh, whoooa (its the golden age of rock and roll). Ohhh, ohhh, ohhh (you gotta stay young, you can never grow old) Ohhh, ohhh, whoooa (its good for body, its good for your soul) Ohhh, ohhh, whoooa (its the golden age of rock and roll). Ohhh, ohhh, ohhh (you gotta stay young, you can never grow old) Ohhh, ohhh, whoooa (its good for body, its good for your soul) Ohhh, ohhh, whoooa (its the golden age of rock and roll). Wonderwall Today is gonna be the day That they re gonna throw it back to you By now you should ve somehow Realized what you gotta do I don t believe that anybody Feels the way I do about you now Backbeat the word was on the street That the fire in your heart is out I m sure you ve heard it all before But you never really had a doubt I don t believe that anybody feels The way I do about you now And all the roads we have to walk along are winding And all the lights that lead us there are blinding There are many things that I would Like to say to you I don t know how Because maybe You re gonna be the one who saves me ? And after all You re my wonderwall Today was gonna be the day? But they ll never throw it back to you By now you should ve somehow Realized what you re not to do I don t believe that anybody Feels the way I do About you now And all the roads that lead to you were winding And all the lights that light the way are blinding There are many things that I would like to say to you I don t know how I said maybe You re gonna be the one who saves me ? And after all You re my wonderwall I said maybe You re gonna be the one who saves me ? And after an You re my wonderwall Said maybe You re gonna be the one that saves me You re gonna be the one that saves me You re gonna be the one that saves me Obladi Oblada Desmond has a barrow in the market place Molly is the singer in a band Desmond says to Molly - girl I like your face And Molly says this as she takes him by the hand. Chorus Obladi oblada life goes on bra Lala how the life goes on Obladi Oblada life goes on bra Lala how the life goes on. Desmond takes a trolly to the jewellers stores Buys a twenty carat golden ring Takes it back to Molly waiting at the door And as he gives it to her she begins to sing. Chorus In a couple of years they have built A home sweet home With a couple of kids running in the yard Of Desmond and Molly Jones. Happy ever after in the market place Desmond lets the children lend a hand Molly stays at home and does her pretty face And in the evening she s a singer with the band. Chorus In a couple of years they have built A home sweet home With a couple of kids running in the yard Of Desmond and Molly Jones. Happy ever after in the market place Molly lets the children lend a hand Desmond stays at home and does his pretty face And in the evening she s a singer with the band. Chorus And if you want some fun - take Obladiblada. 20th century boy Friends say it s fine, friends say it s good Everybody says it s just like Robin Hood I move like a cat, talk like a rat, sting like a bee Babe i m gonna be your man And it s plain to see you were meant for me, yeah I m your boy Your 20th century toy Friends says it s fine, friends says it s good Everybody says it s just like Robin Hood Fly like a plane, drive like a car, hold out your hand Babe i m gonna be your man And it s plain to see you were meant for me, yeah I m your toy Your 20th century boy Twentieth century toy I wanna be your boy Twentieth century toy I wanna be your boy Twentieth century toy I wanna be your boy Twentieth century toy I wanna be your boy Friends say it s fine, friends say it s good Everybody says it s just like Robin Hood I move like a cat, talk like a rat, sting like a bee Babe i m gonna be your man And it s plain to see you were meant for me, yeah I m your toy Your 20th century boy Twentieth century toy I wanna be your boy Twentieth century toy I wanna be your boy Twentieth century toy I wanna be your boy Twentieth century toy I wanna be your boy white room In the white room with black curtains near the station. Black-roof country, no gold pavements, tired starlings. Silver horses run down moonbeams in your dark eyes. Dawn-light smiles on you leaving, my contentment. I ll wait in this place where the sun never shines; Wait in this place where the shadows run from themselves. You said no strings could secure you at the station. Platform ticket, restless diesels, goodbye windows. I walked into such a sad time at the station. As I walked out, felt my own need just beginning. I ll wait in the queue when the trains come back; Lie with you where the shadows run from themselves. At the party she was kindness in the hard crowd. Consolation for the old wound now forgotten. Yellow tigers crouched in jungles in her dark eyes. She s just dressing, goodbye windows, tired starlings. I ll sleep in this place with the lonely crowd; Lie in the dark where the shadows run from themselves. Proud Mary Left a good job in the city Workin for the man ev ry night and day And I never lost one minute of sleepin Worryin bout the way things might have been Big wheel keep on turnin Proud Mary keep on burnin Rollin , rollin , rollin on the river Cleaned a lot of plates in Memphis Pumped a lot of pain down in New Orleans But I never saw the good side of the city Til I hitched a ride on a river boat queen Big wheel keep on turnin Proud Mary keep on burnin Rollin , rollin , rollin on the river Rollin , rollin , rollin on the river If you come down to the river Bet you gonna find some people who live You don t have to worry cause you have no money People on the river are happy to give Big wheel keep on turnin Proud Mary keep on burnin Rollin , rollin , rollin on the river Rollin , rollin , rollin on the river Rollin , rollin , rollin on the river Rollin , rollin , rollin on the river Rollin , rollin , rollin on the river piece of my heart (Come on…) Didn t I make you feel like you were the only man, well yeah, An didn t I give you nearly everything that a woman possibly can ? Honey, you know I did! And each time I tell myself that I, well I think I ve had enough, But I m gonna show you, baby, that a woman can be tough. I want you to come on, come on, come on, come on and take it, Take another little piece of my heart now, baby, (break a..) Break another little bit of my heart now, darling, yeah. (have a..) Hey! Have another little piece of my heart now, baby, yeah. You know you got it if it makes you feel good, Oh yes indeed. You re out on the streets looking good, and baby, Deep down in your heart I guess you know that it ain t right, Never never never never never never never hear me when I cry at night. Baby, I cry all the time! And each time I tell myself that I, well I can t stand the pain, But when you hold me in your arms, I ll sing it once again. I ll say come on, come on, come on, come on, yeah take it! Take another little piece of my heart now, baby. (break a..) Break another little bit of my heart now, darling, yeah, (come on…) Have another little piece of my heart now, baby, yeah. Well, You know you got it, child, if it makes you feel good Guitar I need you to come on, come on, come on, come on and take it, Take another little piece of my heart now, baby. (break a…) Break another little bit of my heart, darling, yeah. (have a) Have another little piece of my heart now, baby, You know you got it (waaaaahhh) Take a…Take another little piece of my heart now, baby. (break a…) Break another little bit of my heart, and darling, yeah yeah (have a) Have another little piece of my heart now, baby, You know you got it, child, if it makes you feel good Up on Cripple Creek When I get off of this mountain You know where I want to go Straight down the Mississippi river To the Gulf of Mexico To Lake Charles, Louisiana Little Bessie, a girl that I once knew And she told me just to come on by If there s anything she could do {Refrain} Up on Cripple Creek she sends me If I spring a leak she mends me I don t have to speak she defends me A drunkard s dream if I ever did see one Good luck had just stung me To the race track I did go She bet on one horse to win And I bet on another to show Odds were in my favor I had him five to one When that nag to win came around the track Sure enough he had won {Refrain} I took up all of my winnings And I gave my little Bessie half And she tore it up and blew it in my face Just for a laugh Now there s one thing in the whole wide world I sure would like to see That s when that little love of mine Dips her doughnut in my tea {Refrain} Now me and my mate were back at the shack We had Spike Jones on the box She said, "I can t take the way he sings But I love to hear him talk" Now that just gave my heart a fall To the bottom of my feet And I swore as I took another pull My Bessie can t be beat {Refrain} Now, it s hot in California And up north it s freezing cold And this living off the road Is getting pretty old So I guess I ll call up my big mama Tell her I ll be rolling in Bet you know, deep down, I m kinda tempted To go and see my Bessie again {Refrain}
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製作者 LittleAlien DL先↓ http //www.mediafire.com/download/l8z41oao49c8s7a/I+Wanna+Save+The+King.zip
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